In our April issue, we’ve got a short piece on Shane Carruth and his new film, Upstream Color. Shane is the guy who made the Sundance winner Primer and then disappeared for a decade (Adam McGill profiled Carruth for us in 2004). Our April story was written by Peter Simek. I read it late in our production cycle (not to suggest that Peter would ever turn in a story late, no never, really). When I finished it, I said, “Crap. We should have run this story longer. Like, I’d read another 4,000 words.” Well, Wired has 3,700 of those words. Really great read. I can’t wait to see Carruth’s movie. Here’s what Steven Soderbergh says about it: “I don’t even try to describe it to people. I go, ‘You’ve just gotta see this thing, and then we’ll talk after.’”
Get the D Brief Newsletter
Dallas’ most important news stories of the week, delivered to your inbox each Sunday.
Related Articles
Home & Garden
One Editor’s Musings on Love and Letting Go (Of Stuff, That Is)
Memories are fickle. Stuff is forever. Space is limited.
By Jessica Otte
Football
The Cowboys’ Draft Class Is Heavy on Athleticism and Heavier on Beef
Dallas entered the weekend needing help on both lines. It exited with plenty of fresh faces to plug those gaps.
By Dan Morse
Local News
Dallas Gets Its Wings, But ‘Project X’ Still Hovers
The City Council last week made a big move to lure the Dallas Wings away from Arlington. But the private matter about recruiting or retaining a pro sports team is still lingering at City Hall.
By Matt Goodman