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Opera Review: How Dallas Opera’s Barber of Seville Merges the Whimsical and Profound
Ah, young love.
By Wayne Lee Gay
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Opera Review: Die tote Stadt In Dallas Offers Rare Look at Powerful Piece
The opera's breathtakingly beautiful score is a highlight.
By Wayne Lee Gay
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Theater Review: Sprawling Fortress of Solitude Soars at Dallas Theater Center
The musical is overstuffed, yet gripping.
By Lindsey Wilson
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Theater Review: Trick Boxing at Out of the Loop Fringe Festival
The play repeats only once.
By Lindsey Wilson
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Theater Review: Uptown Players’ Vanya and Sonia and Masha and Spike is a Heartfelt, Hilarious Hit
If you like to laugh, you will like this smart screwball play.
By Lindsey Wilson
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Theater Review: Much Ado (and Cursing) About a Hat
About 15 minutes in, actress Christie Vela lets loose with a speech so impressively laced with profanity that the audience gave her a spontaneous ovation. We doff our chapeaux.
By Lindsey Wilson
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Review: Dallas Opera’s Futuristic Death and the Powers Faces Life’s Oldest Questions
How to become a billionaire robot, in several not-so-simple steps.
By Wayne Lee Gay
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Can Theatre Three Preserve the Indie Thrill of On the Eve?
The show's success doesn't lie so much in its twisting plot as it does in its euphoric songs, innovative design, and passionate performances.
By Lindsey Wilson
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Can Asghar Farhadi Follow-Up the Success of A Separation With The Past?
The director of A Separation returns with another successful film about salvaging love from a failed marriage.
By Peter Simek