Maybe There Is a Music Scene in Dallas

For years Austin has proclaimei itself the “Live Music Capital of the World,” with its city-funded loca music cable channel and a small host ol city and state nonprofit organizations devoted to raising money-and the profile-of the music business in Austin and. in some cases, around the state.

However, last year one of those groups, the Texas Music Association, moved from Austin to Dallas, where the music scene is considerably sparser, at least by Austin standards. The move came about when video producer Kristin Bolotin of Dallas became president of the TMA. which “moves” wherever its president is located.

An October party at the new Blue Mule in the West End celebrated the move, which is timely considering the outburst of national recognition for local bands such as Jackopierce, Tripping Daisy, the Toadies and Deep Blue Something. TMA Vice President Charles McGarry. a local attorney, says, “In Dallas, bands have been signed to more national record labels than in all other parts of the state combined.” Austin may have lots of venues and lots of fans that support local music, but there are also many bands there that have a hard time breaking through the local-popularity stage into the big time.

TMA conducts educational seminars, provides networking opportunities and showcases up-and-coming talent to industry insiders. The assocation also sponsors Texas Music Month in October.

The difference between Dallas’ national success stories and Austin’s limited local flavor, according to McGarry, is Dallas’ combination of assets. Support from local radio stations means air time; the clubs here, he says, have great sound systems that attract better bands; and audiences here are willing to give new bands a chance.

Most important, he says, talent here is producing a sound attractive to record companies.