Nobody can say they aren’t thinking ahead at the Dallas County Community College District. Chancellor Bill Priest has already made the rounds of his four colleges exhorting faculty members to greater effort just in case the district has to ask the voters for more money in 1976.
Priest, who has asked faculty members to “increase productivity by five per cent,” says he does not foresee a need for another bond issue. But he concedes it is likely the DCCCD will have to find more money by September, 1976. Of course, he is talking about taxes.
As Priest sees it, there are three avenues whereby the district can obtain more revenue: more state aid, a tax increase or an increase in the district’s percentage of assessment.
The last appears to be the most likely route since it seems that additional state aid would be less than adequate and the tax increase would require a district-wide referendum. Increasing the rate of assessment can be done by board action alone, thus bypassing the need for voter approval or increased lobbying in Auston.
Priest declined to speculate on how much of an increase from the present 25 per cent of assessed value might be needed – if, in fact, this is the revenue path ultimately taken.
Both the city and the school district now assess at 54 per cent on each $ 100 valuation so this already has local precedent.
Get our weekly recap
Brings new meaning to the phrase Sunday Funday. No spam, ever.
Related Articles
Media
Will Evans Is Now Legit
The founder of Deep Vellum gets his flowers in the New York Times. But can I quibble?
By Tim Rogers
Restaurant Reviews
You Need to Try the Sunday Brunch at Petra and the Beast
Expect savory buns, super-tender fried chicken, slabs of smoked pork, and light cocktails at the acclaimed restaurant’s new Sunday brunch service.
Arts & Entertainment
DIFF Preview: How the Death of Its Subject Caused a Dallas Documentary to Shift Gears
Michael Rowley’s Racing Mister Fahrenheit, about the late Dallas businessman Bobby Haas, will premiere during the eight-day Dallas International Film Festival.
By Todd Jorgenson