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Undermain Theatre’s The Droll Doesn’t Live Up To Its Name
If this is the last dying gasp of theater, someone needs to take it behind the shed and put it out of its misery.
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For Some Reason, Nobody Shot Down This Remake of Hitman
In following its predecessor, it’s a slick high-tech thriller that essentially trades one incoherent mess of car chases, shootouts, and fight sequences for another.
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Dallas Summer Musicals’ Dirty Dancing Is Not the Time of Our Lives
Between the missing chemistry and the clumsy execution, perhaps Baby should have just stayed in the corner.
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How Many Explosions, Bullets, and Cliches Can Milla Jovovich Dodge in Survivor?
This thriller focuses on the heightened stakes in the age of modern terrorism, when paranoia and common sense sometimes clash. Yet such territory is given a clichéd treatment that lacks insight and suspense.
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Women and Texas: Hot Pursuit Doesn’t Seem to Like Either One
Those fussing about the lack of strong-minded, independent roles for women in Hollywood should probably stay far away from this one.
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This Little Boy Needs to Lay Off the Sugar
The film feels like a feature-length sermon preaching lessons of self-esteem and cultural understanding through the eyes of a hopelessly idealistic 8-year-old boy trying to reunite his family amid the military conflict of World War II.
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You Need Go Search Gets Lost Looking for a Point
This confusingly short and frustratingly endless show is one to skip at Out of the Loop.
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Dallas Actor’s Lab’s Uncle Vanya Bores, Distances Audience
The production of Chekov's classic lacks energy and sense of purpose.
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Despite Star Power, Before I Go to Sleep Is a Cure For Insomnia
A glance at their Oscar-adorned mantelpieces should tell Nicole Kidman and Colin Firth that they can do better.