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Why Boyhood Is Unlike Any Movie You’ve Ever Seen
Richard Linklater’s new film Boyhood originated with a simple idea that demanded an ambitious process: to make a film about growing up made during the length of time it takes for its actors to actually grow up.
By Peter Simek
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Lyric Stage’s Titanic Stuns with ‘Hauntingly Beautiful’ Score
An overall excellent production finds its greatest strength in its music.
By Lindsey Wilson
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Barbecue Apocalypse is a Balanced Mix of Funny and Awkward
Bursting with relatable, comical dialogue, (and zombies) this is one neighborhood barbecue you'll never forget.
By Lindsey Wilson
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Why Should We Care About Alphaville‘s 50th Anniversary?
The 50th anniversary of the release of Jean-Luc Godard’s Alphaville may not seem like a particularly momentous cultural milestone. But then, it is important to remember just what the filmmakers of the French New Wave meant to the cultural shifts of the 1960s.
By Peter Simek
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Strong Silent Night Has Potential to be Holiday Staple
Tale of peace and its endlessly fleeting nature avoids cliché in another win for the Fort Worth Opera.
By Wayne Lee Gay
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Concert Review: Who Could Ignore Itzhak Perlman?
The house was packed for Perlman, even if some guests literally slept through the performance.
By Carol Shih
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Mozart’s Timeless Cosí fan tutte Handled Respectfully by Fort Worth Opera
Sometimes cynical tale of love given proper treatment by remarkable cast.
By Wayne Lee Gay
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Young Plano Theatre Excels in Rosencrantz and Guildenstern Are Dead
The youthful cast handles tragicomedy with preternatural ease.
By Lindsey Wilson
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With Blood, With Ink Tackles Poet Nun’s Timeless Feminist Plight
The Fort Worth Opera Festival premieres the tale of Sor Juana Inés de la Cruz.
By Wayne Lee Gay
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Fort Worth Opera Festival Begins Well with The Pearl Fishers
Bizet's first attempt at the form works spectacularly well in the hands of the Fort Worth Opera.
By Wayne Lee Gay