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The Danielle Georgiou Dance Group Is Twice As NICE at Out of the Loop
Another round of audiences get to see this provocative, beautiful, and deeply unsettling multisensory dance show.
By Lindsey Wilson
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Bull-ies on Parade in Second Thought Theatre’s ‘Psychological Beat Down’
Mike Bartlett's 55-minute workplace drama is a taut, thrilling display of predators toying with their prey.
By Lindsey Wilson
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Echo Theatre’s Her Song Woos With Bubbly Entertainment
Echo Theatre's "showmance" is back, tighter, snappier, and more focused.
By Lindsey Wilson
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Slackers Seek Meaning Through Film in Undermain’s The Flick
Undermain Theatre's production of The Flick spotlights a modern masterpiece.
By Lindsey Wilson
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Why You Won’t Regret Sitting Through a Single Minute of the Novel-Scaled Winter Sleep
Ceylan's sprawling, patient film makes for a long movie, but there is little in it that is unnecessary or tedious.
By Peter Simek
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Great American Trailer Park Christmas Musical a Decidedly Adult Take on the Season
It's a hoot to watch the actors go full redneck.
By Lindsey Wilson
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DTC’s A Christmas Carol Aided by Strong Musical Accompaniment
Lee Trull has taken Kevin Moriarty's concept and streamlined it, focusing on creating poignant moments while still sprinkling in some Christmas magic.
By Lindsey Wilson
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Tomorrow Come Today Unlike Anything Else On Dallas Stages at the Moment
With Undermain Theatre's world-premiere production, science fiction has never seemed so accessible.
By Lindsey Wilson
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DTC’s Rocky Horror a Raunchy, Crowd-Pleasing Free-for-All
Dallas Theater Center manages to please everyone by offering an interpretation that adheres to tradition, yet still hides a few surprises up its garter belt.
By Lindsey Wilson
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Uptown Players’ The Last Session a Tough But Rewarding Tearjerker
The devastating material may have led to a napkin shortage in the venue, but it was all worth it.
By Lindsey Wilson