People often refer to their designers as “lifesavers.” But Shelby Flaten considers her friend and interior designer Cynthia Collins of Collins Interiors all that and more. “Anything she tells me, I 100-percent trust,” she says. “She’s been good for my marriage. There’s no controversy when it comes to making decisions. My husband, Rich, and I trust her so much.”
The Flatens began working with Cynthia almost 16 years ago when Shelby sought her counsel on their previous home on Bryn Mawr. But Shelby stresses that the relationship is much more than merely professional. “She’s a great friend, first and foremost. Our children have grown up together,” she says.
‘Cynthia Collins has been great for my marriage. There’s no controversy. We just trust her so much.’
The Golden Age surprises continue on the interior. The designers selected wood floors that were originally in a Mississippi plantation. “The width is kind of unusual,” Cynthia says. “They’re about 12 inches wide.” The brick in the kitchen, mudroom, and screened-in porch is antique. Old wooden beams that adorn the ceilings in several of the rooms were found in Pennsylvania.
When it came to creating the detailed ceiling in the entry, the designers collaborated with a local craftsman to create a pattern. “We needed a detail to make the entry special. The profile needed to be tiny—the ceiling is low. But it makes that entry. It signals to people that they’ve entered a very special place,” Cynthia says.
Shelby and Rich Flaten had visited the very special place many times when it belonged to the original owners. Shelby, who hails from Mississippi, says the house reminded her so much of the South. “The five fireplaces, the wide-plank floors, the intricate ceiling—it all just feels like an old Southern home,” she says. “But it has all the amenities of a new house. When it went on the market, Rich and I knew this house had all the things we wanted.”
Once the family of five moved in, Shelby called on Cynthia to again work her magic. “Her style is unbelievable. She has such a great eye,” Shelby says. “I like fun and edgy and fresh mixed with classic and timeless. And she can do all that.”
Cynthia got to work reupholstering pieces that came from the Bryn Mawr house and adding new and unexpected elements to mix with Shelby’s collection of antiques. “Shelby was totally game for it. She has some beautiful antiques and they play out nicely with some of the more modern pieces. The art in the house is very contemporary, and it plays nicely with a French chest and the sideboard and dining-room table that were her husband’s great grandmother’s,” Cynthia says.
The art collection brings Shelby much joy. “The art is fun and abstract. I get everything from Cynthia through her store, Blue Print,” Shelby says. “There’s nothing in my house that she hasn’t put her stamp on. She can place things, and they are perfect.”
‘It all just feels like an old Southern home, but it has all the amenities of a new house.’
So is this the forever house? Shelby laughs. “My husband is in commercial real estate, so stuff is always for sale in his mind. But we lived in our last house for 13 years, and I love the idea of our grandchildren growing up here one day.”
One thing is for sure: If they move, the Flatens will be giving Cynthia Collins a call. “I know this: If I move, Cynthia will be doing my house,” Shelby says. “As long as she’s living, Cynthia will be doing my houses.”