You may know the name of British artist Richard Patterson for a variety of reasons. Perhaps you were enthralled with his defense of the opening ceremonies of last summer’s London Games. Perhaps you’ve read his musings on FrontRow. Maybe you caught his exhibition at the Goss-Michael Foundation in 2009. More than likely, though, you know him because Patterson is an accomplished and renowned painter who has been residing in Dallas now for some time, a member of that pivotal generation of British artists that is known by the clumsy moniker “YBA.”
I said painter, but as you all know, Dallas does funny things to people who move here and stick around for a while. In Patterson’s case, he has been dabbling in video of late. The result is a series of video pieces Patterson is calling “Six Short Stories.” They are screening tonight at 8 p.m. at the Texas Theater for one night only. Admission is completely free.
Why can’t you miss this screening? Well, for one, because the work is hilarious, fascinating, moving, deeply intelligent, and beautiful. It is also likely the only chance you’ll ever get to see Patterson’s videos (in part because of all sorts of confusing copyright stuff that tends to give gallery dealers headaches).
So what to expect? Pushed to describe his work, Patterson calls the videos “dream-like vignettes” and feigns British self-deprecation:
[It is] A film with scant originality and little authenticity featuring fast cars, bare breasts, inflatable furniture, the music of Allegri and Michel Legrand, death, the Jaguar Mk2 and much, much more… Don’t bring your children.
Also, following the screening, I’ll be participating in an onstage conversation with Patterson, and after we gab, a DJ set by Wild in the Streets will take us all into the night. See you there.
