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Following a triumphant 30-year retrospective over the summer, Conduit gets back to business with a couple of artists who have helped contribute to the gallery’s stellar reputation, Ludwig Schwarz and the incomparable Margaret Meehan. They’ll be joined by San Francisco resident, Claire Colette in the Project Room, whose work touches on themes both emotionally foggy and clinically exact.
You know the work of many of the artists featured in “Mind’s Eye”—Degas, Cézanne, van Gogh, Manet—but this exhibition, organized by the Dallas Museum of Art, offers a rare chance to view these famous masters’ works on paper. “Mind’s Eye” will include more than 100 sketches, painting studies, and watercolors by 70 artists.
Slavs and Tatars are likely the only active art collective who limit their explorations to the murkily blending and amorphous character of culture that flourishes east of the Berlin Wall and west of the Great Wall of China. As obscure a focus as that sounds, this “Eurasian” zone offers the group a rich source of material – from art and language, to politics and sexuality – that fuels their almost anthropological questioning of history, ideology, and identity.
At the time of Alfred Stieglitz’s death, a pioneer of art photography (and husband of Georgia O’Keeffe) was experimenting with various inks and papers to explore the potential of the photographic medium. This exhibition will display 10 large-format photogravures from this collection, offering rare insight into the photographer and his process.
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